Through the process, they are often on their own without the other leading to an extreme feeling of isolation which leads to individual questions and ultimate decisions about their own mortality and what may be best for the other at the expense of oneself.
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Even if he can retrieve her and get some oxygen to her, they have the difficult task of trying to get to another satellite with whatever equipment is on hand, and from there ultimately back to Earth. The two are left in a precarious position as Stone is losing oxygen, meaning that Kowalski has to retrieve her quickly if she has any chance of survival. This puts the pair in an all-but-fatal position, and a terrifying one at that. They are completing standard maintenance work when their shuttle is obliterated by man-made debris, leaving them untethered and with no ability to communicate with Mission Control thousands of kilometres below. Novice astronaut Ryan Stone ( Sandra Bullock) and veteran mission commander Matt Kowalski ( George Clooney) are experts in their chosen fields, but at opposite ends of their careers – Stone is on her first mission, while Kowalski’s on his final expedition. It is this realistic probability which forms the central lynchpin in Gravity’s story. A cascade involving an object the size of the International Space Station would trigger a catastrophic chain-reaction of debris, and the orbiting debris field would make it impossible to launch space exploration missions or satellites for many decades. Kessler, who first proposed the theory in 1978. It’s a real issue.” This scenario is known as the Kessler syndrome, named after NASA scientist Donald J. It is life-threatening for the astronauts, the spacecrafts and possibly for us here on Earth too. Producer David Heyman: “Every screw or piece of junk that has been dropped or left behind is orbiting at an incredible speed and if, or when, they collide, they create still more debris. When Cuarón first began writing Gravity, it was the drama inherent in real-life situations and possibilities in space which drove him. However, most space films – from silent classics to the contemporary – focus on the supernatural elements to hold our attention: Ferocious extraterrestrials bizarre planetary landscapes starry spirits etc. We also wanted it to be a realistic story, which required us to do extensive research to become familiar with space exploration in order to depict a plausible scenario.” Many science fiction films have capitalised on the primitive horror and inescapable uneasiness we feel when confronted with the void of outer space.
#Gravity 2013 movie movie
It is a setting where there is no easy way to survive, thousands of miles from what we call home, so it was perfect for a movie about surmounting adversities and having to find your way back. The concept of space was interesting to us both. I was very intrigued by my son’s sense of place in a life-or-death situation that dealt primarily with a single character’s point-of-view but, at the same time, placing the story in space immediately made it more expansive and offered immense metaphorical possibilities. “I had this image of an astronaut spinning into space away from human communication.
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Finally, Cuarón decided to set his film in an extreme place where there is absolutely nothing. Inspired by these discussions, the father-and-son team later released another survival film entitled Desierto (2015). Even before conceiving the story, Cuarón knew he wanted to focus on adversity, and discussed a number of survival scenarios with Jonás involving hostile, isolated locations, like the desert. However, Cuarón never intended to make a movie set in space. Gravity (2013) was directed by Alfonso Cuarón from a script written by both Jonás and himself. Alfonso’s brother Carlos Cuarón and his son Jonás Cuarón are also filmmakers and they often write together. The first Mexican filmmaker to win an Oscar for Best Director is Alfonso Cuarón, best known for heavy dramas like A Little Princess (1995), big-budget fantasies like Harry Potter & The Prisoner Of Azkaban (2004), and dystopian science fiction like Children Of Men (2006). Before the crew can do anything about it, the explosion debris comes hurtling toward Explorer, irreparably damaging the shuttle and station, immediately killing all the crew except Kowalski and Stone, and knocking out at least incoming communication with Houston control, although they have no idea if there is outgoing communication.” (courtesy IMDB) Mission Commander Matt Kowalski, medical engineer Doctor Ryan Stone – who is on her first ever space mission – and flight engineer Shariff Dasari are on a space walk when they learn from Houston control that an explosion has just occurred at a Russian satellite. “The crew of the Space Shuttle Explorer is working on the STS-157 mission.